Kashyap Tahira Sharmajee Ki Beti is built by Khurrana in a matter of minutes, but do those moments combine to form a potent force? See our review here!

The Sharmajee ki Beti Story Line

Mudde Ki Baat, which begins immediately after Sharmajee Ki Beti, introduces five women of various ages: two pairs of mothers and daughters, Kiran and Swati and Jyoti and Gurveen, as well as one independent lady, Tanvi. These five ladies serve as archetypes for five distinct groups, although they all have the Sharma surname!

Tanvi Sharma is a late 20-year-old lady who loves to play cricket but has to put up with her complicated lover, who finds it difficult to love her without also wanting her to be a little more “feminine.” Kiran and Swati are the second pair of Sharmas. The mother strives to lead a successful profession but finds it difficult to maintain a work-life balance. Her daughter, Swati, is a struggling adolescent who feels left out for having reached adulthood a little later in life. Her first-world issues include not getting her period and not having a larger breast.

Jyoti and Gurveen, the final group of Sharma women, are also having identity issues. However, Gurveen, a teenage student, has a companion in Swati, the other Sharma, but Jyoti is alone herself in a place like Mumbai.

Together, the three Sharma ladies and the two adolescent Sharma girls spin a charming story about Sharmajee Ki Beti.

The oldest narrative in the book, Women and Their Identity Crisis: Women and Their Time, is taken up by Tahira Kashyap Khurrana. She demonstrates how difficult it is for women to find their own space and time, but she goes above and above to ensure that this conversation about women’s identities is done in a calm, collected way without being overly preachy. And guess what? She aced the test since not a single scene makes you feel sleepy or yawn. This is only the first of many victories she finds in this tale of the five Sharma ladies.

Even though Tahira tries to keep the tale as humorous as possible, there aren’t enough memorable punchlines or comebacks, so it somehow ends there. Specifically, excellent conversations. Thus, even when the plot develops to the perfect degree, there are times when it falls flat since there isn’t a memorable punchline or conversation!

Sharmajee Ki Beti Movie Review: Movie Analysis

The oldest narrative in the book, Women and Their Identity Crisis: Women and Their Time, is taken up by Tahira Kashyap Khurrana. She demonstrates how difficult it is for women to find their own space and time, but she goes above and above to ensure that this conversation about women’s identities is done in a calm, collected way without being overly preachy. And guess what? She aced the test since not a single scene makes you feel sleepy or yawn. This is only the first of many victories she finds in this tale of the five Sharma ladies.

Even though Tahira tries to keep the tale as humorous as possible, there aren’t enough memorable punchlines or comebacks, so it somehow ends there. Specifically, excellent conversations. Thus, even when the plot develops to the perfect degree, there are times when it falls flat since there isn’t a memorable punchline or conversation!

Review of Sharmajee Ki Beti: Outstanding Performance

Sharmajee Ki Beti has charming personalities. The tiny Vanshika Taparia, who plays Sakshi Tanwar’s kid and nearly despises her mother for abandoning her when she most needs her, is the standout performer of them all. With her messy hair, Vanshika steals the show from everyone, even Sakshi Tanwar when she appears on TV. She is winning this movie with every word or action she takes as she can express with such accuracy. Beautifully supporting her is Arista Mehta, the second Sharma child.

Most likely as a result of their poorly developed characters, Sakshi Tanwar and Saiyami Kher came up short.

The picture has excellent assistance from Parvin Dabas, Sushant Ghadge, Ravjeet Singh, and Sharib Hashmi.

The film starts with Tapsee Pannu’s voice posing significant queries regarding women and time, deftly positioning them against one another. In the opening ten minutes alone, Tahira Kashyap deftly presents the five Sharma women and their predicaments, setting up three distinct universes for them. You’re always entertained by the movie as it goes along, but the issue arises when it doesn’t reach its full potential and ends abruptly. You don’t recall the most of it, which is the fundamental issue with this movie, even if it may have been the most obvious and ironic ending abruptly as the movie closes.

Some excellent song selections may have improved Sharmajee Ki Beti’s spirits. Indeed, there were obvious gaps and blanks that would have complemented some excellent music, which this movie also needed!

Sharmajee Ki Beti Movie Review: Conclusion

Even though Sharmajee Ki Beti doesn’t have a “Wow-some” quality, it quickly wins you over. Whether it’s Sakshi Tanwar’s Kiran realizing that a woman may pursue her professional goals just because she enjoys working, or her youngster questioning Sakshi Tanwar’s workaholic tendencies despite the absence of majboori in the family to encourage both parents to work.

Not to mention, Sharib Hashmi triumphs greatly in his role as the forgiving husband who tries to find a balance between his daughter and mother and help them understand one another. Therefore, Sharmajee Ki Beti and Sharmajee Ka Beta both require that acknowledgement.

With its straightforward, charming story that may not offer that “extra” bit of pleasure, Khurranajee Ki Biwi is undoubtedly winning people over. It satisfies in a way that few movies do.