The Legend Of Hanuman Season 4 Review : It’s Uncomfortable To Say This, But Sharad Kelkar’s Heroic Turn Towards Ravana I Never Would Have guessed!

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Sharad Devarajan, Jeevan J. Kang, and Charuvi Agrawal are the creators of the Indian animated series The Legend of Hanuman, which is available on Disney+ Hotstar. the Graphic India-produced series.

Thirteen episodes from the first season debuted on January 29, 2021. On July 27, 2021, the show was given a second season renewal with 13 episodes. On January 12, 2024, a third season with six episodes was published. On April 23, 2024, the fourth season was revealed in honor of Hanuman Jayanti.[4] On June 5, 2024, the fourth season made its debut.

Season 4 of The Legend of Hanuman returns, and this time around, Ravana’s narration turns out to be an even greater winner since the stories are much more intricately detailed!

The Legend of Hanuman debuted in 2021 with an incredible season that began with Lord HanuMan’s early years and abruptly changed course in the first twenty minutes when HanuMan encountered Lord Ram and Lakshman in the jungle while the prince of Ayodhya was on the lookout for Sugreeva, the King of the “Vanar.”

The show’s second season, which focused on HanuMan’s initial encounter with his lost powers and his discovery of Devi Sita, improved both in terms of tone and quality. Similar events occurred in the third season, as Lord Hanuman led the army on the battlefield during the Ram-Ravana conflict.

With Kumbhkaran’s participation in the Ram-Ravana war, the fourth season has officially begun. Although you can only see the first two episodes, we have already binge-watched the entire season and will tell you of all the positives and negatives, yayys and nayss, before you choose to watch it.

Kumbhakarna arrives at the beginning of the fourth season of The Legend of Hanuman, and the plot has been following a straight path since the beginning of the program. This season’s main themes include the fights between equals, with Ram’s brother Lakshmana and Ravana’s brother Kumbhakarna facing off against each other, Lakshmana and Hanuman coming up with a plan to stop Meghnaad, and Ravana’s son Ahiravana taking the stage in a parallel story.

The writing of The Legend of Hanuman is its strongest point; it explores the depths of Indian religion and mythology, fusing reality and fiction to create a compelling narrative that appeals to a broad audience.

But this season, Sharad Kelkar’s portrayal of Ravana is so strong, compelling, and mysterious that you find yourself curious to know this common man. It gets awkward after a while, and you start to question whether it is better to view Ravana as the anti-hero rather than a hero.

Without a question, one of the greatest mythological series to come out of India is The Legend of Hanuman. It’s amazing how well this group has preserved the narrative of Ram and Ravana, which drives the entire drama of the Ramayana, from Hanuman. Indeed, Bollywood need to learn how to adapt the Ramayana from this crew, whose innovation and study beyond the sublime.

In addition to adding backstories and tales, they have described each character’s role in such depth that they are deserving of all the praise. The series has its heroic moments, such as when Nal and Neel are made into heroes. The scene when Hanuman is talking to a desolate mountain that is about to die since not a single plant is left on it, and some humans removed everything in the hope of planting more, but they never followed through, really makes a cute movie for young viewers. A fantastic geography lesson that is integrated for the children and has a lovely connection to the legendary stories—getting them to think that this may have actually happened—wins.

The issue emerges when one observes Ravana’s viewpoint and his tale exerting such a strong influence that Hanuman and his story begin to lose significance. The Legend of Hanuman opens with Ravana narrating, expressing his beliefs, dominance, compassionate side, doubting his own abilities, and lamenting the passing of his colleagues. This eventually turns into a story about Ravana instead of Hanuman, and although we don’t mind, it defeats the intent of a tale called The Legend of Hanuman.

After a while, the story is so heavily dominated by Sharad Kelkar’s Ravana, I find myself questioning if it is ethically acceptable to appreciate Ravana. Ahiravana and Ravana eventually take the stage in this web series, with the whole plot revolving around them. People become so fascinated by these anti-heroes that The Legends About Hanuman vanish!

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